The Slave Trade
Monday, February 08, 2010 06:00am on Colonial Williamsburg Podcasts- TheSlaveTrade.mP3 (audio/mpeg 3.17 MB)
Bat Cave: Underground
Sunday, February 07, 2010 11:00pm on Royal Ontario Museum Podcasts- elaisha.mp4 (video/mp4 18.89 MB)
Douglas Bader: Fighter, Pilot
Sunday, February 07, 2010 05:00pm on RAF Museum Podcast Series- Douglas-Bader-Fighter-Pilot.mp3 (audio/mpeg 11.22 MB)
Opening Lecture - Chemistry of Color
Saturday, February 06, 2010 06:43pm on Columbia Museum of Art Podcastwww.columbiamuseum.org questions: pnugent@columbiamuseum.org
- rft_lecture.mp3 (audio/mpeg 0.00 B)
- rft_lecture.mp3 (audio/mpeg 24.18 MB)
Stop 1: Introduction to the Exhibition
Saturday, February 06, 2010 06:40pm on Columbia Museum of Art Podcastwww.columbiamuseum.org questions: pnugent@columbiamuseum.org
Stop 2: Beverly Buchanan – S.C. House near Bull Swamp School
Saturday, February 06, 2010 06:39pm on Columbia Museum of Art Podcastwww.columbiamuseum.org questions: pnugent@columbiamuseum.org
Stop 3: Curlee Raven Holton – Quilt
Saturday, February 06, 2010 06:39pm on Columbia Museum of Art Podcastwww.columbiamuseum.org questions: pnugent@columbiamuseum.org
Stop 4: Beverly Buchanan - Ms. Mary Lou Furcron (Sitting)
Saturday, February 06, 2010 06:38pm on Columbia Museum of Art Podcastwww.columbiamuseum.org questions: pnugent@columbiamuseum.org
Stop 5: Sam Gilliam – Fine as a Cobweb
Saturday, February 06, 2010 06:37pm on Columbia Museum of Art Podcastwww.columbiamuseum.org questions: pnugent@columbiamuseum.org
Stop 6: Allan L. Edmunds – MLK’s Humanity of Man
Saturday, February 06, 2010 06:35pm on Columbia Museum of Art Podcastwww.columbiamuseum.org questions: pnugent@columbiamuseum.org
Stop 7: William T. Williams – Caravan
Saturday, February 06, 2010 06:35pm on Columbia Museum of Art Podcastwww.columbiamuseum.org questions: pnugent@columbiamuseum.org
Stop 8: William T. Williams – Blue Monk
Saturday, February 06, 2010 06:34pm on Columbia Museum of Art Podcastwww.columbiamuseum.org questions: pnugent@columbiamuseum.org
Stop 9: William T. Williams - Perdido
Saturday, February 06, 2010 06:34pm on Columbia Museum of Art Podcastwww.columbiamuseum.org questions: pnugent@columbiamuseum.org
Stop 10: Barbara Bullock – Animal Healer
Saturday, February 06, 2010 06:33pm on Columbia Museum of Art Podcastwww.columbiamuseum.org questions: pnugent@columbiamuseum.org
- cofc10.mp3 (audio/mpeg 0.00 B)
- cofc10.mp3 (audio/mpeg 1.05 MB)
Stop 11: Moe A. Brooker – Spontaneous Accord
Saturday, February 06, 2010 06:32pm on Columbia Museum of Art Podcastwww.columbiamuseum.org questions: pnugent@columbiamuseum.org
- cofc11.mp3 (audio/mpeg 0.00 B)
- cofc11.mp3 (audio/mpeg 1.18 MB)
Stop 12: Moe A. Brooker – The Soul is the Body of the Spirit
Saturday, February 06, 2010 06:31pm on Columbia Museum of Art Podcastwww.columbiamuseum.org questions: pnugent@columbiamuseum.org
- cofc12.mp3 (audio/mpeg 0.00 B)
- cofc12.mp3 (audio/mpeg 2.00 MB)
Stop 13: John E. Dowell, Jr. – The Myth of Being
Saturday, February 06, 2010 06:30pm on Columbia Museum of Art Podcastwww.columbiamuseum.org questions: pnugent@columbiamuseum.org
- cofc13.mp3 (audio/mpeg 0.00 B)
- cofc13.mp3 (audio/mpeg 632.59 kB)
Stop 14: John E. Dowell, Jr. – Del Mar
Saturday, February 06, 2010 06:29pm on Columbia Museum of Art Podcastwww.columbiamuseum.org questions: pnugent@columbiamuseum.org
- cofc14.mp3 (audio/mpeg 0.00 B)
- cofc14.mp3 (audio/mpeg 885.16 kB)
Stop 15: Nanette Carter – Fire and Water #5
Saturday, February 06, 2010 06:27pm on Columbia Museum of Art Podcastwww.columbiamuseum.org questions: pnugent@columbiamuseum.org
- cofc15.mp3 (audio/mpeg 0.00 B)
- cofc15.mp3 (audio/mpeg 658.49 kB)
Stop 16: Nanette Carter – Long Island Sound
Saturday, February 06, 2010 06:26pm on Columbia Museum of Art Podcastwww.columbiamuseum.org questions: pnugent@columbiamuseum.org
- cofc16.mp3 (audio/mpeg 0.00 B)
- cofc16.mp3 (audio/mpeg 1003.08 kB)
Why We Love the Shiloh Museum
Friday, February 05, 2010 08:40am on Shiloh Museum of Ozark History(7:25 minutes, 43.1MB, MP4)
Forty-four of the Shiloh Museum's biggest fans tell why they think the museum is tops!
- ShilohPSA.mp4 (video/mp4 0.00 B)
- ShilohPSA.mp4 (video/mp4 45.24 MB)
Purifying Pollutants | Running With Or Without Shoes?
Thursday, February 04, 2010 05:00pm on Current Science & Technology Podcast- 100205MOS_CSTPodcastKTSpongeTKRunningX.mp3 (audio/mpeg 0.00 B)
J. D. Salinger, 1919-2010
Wednesday, February 03, 2010 03:15pm on National Portrait Gallery | Face to Face blog
Art © Robert Vickrey/Licensed by VAGA, New York, NY
—Holden Caulfield
Jerome David Salinger had one of the great successes of all time with The Catcher in the Rye (1951). He then vanished, publishing only a few collections of short stories and emerging only to sue people who attempted to write about him; his last publication was in 1965. Yet Catcher in the Rye remains a classic. Its teenaged narrator Holden Caulfield’s account of a weekend in Manhattan continues to speak to disaffected adolescents kicking against the “phonies.” It has sold more than 65 million copies worldwide and is still occasionally banned by education administrators who fear its corrupting impact on alienated youth.
Here, in a way that Salinger (and Caulfield) would have appreciated, artist Robert Vickery interprets the book’s title literally and paints the author against an amber wave of grain. The portrait was created for the September 15, 1961, edition of Time magazine.
J. D. Salinger by Robert Vickrey, 1961, tempera on board; National Portrait Gallery, Smithsonian Institution; gift of Time magazine
Portrait of Lena Horne by Edward Biberman
Wednesday, February 03, 2010 10:38am on National Portrait Gallery | Face to Face blog Singer and actress Lena Horne helped break the color barrier in mainstream popular culture in the mid-twentieth century, beginning her stage career in the chorus at Harlem's Cotton Club in 1933, where Duke Ellington and Cab Calloway mentored her.
In 1942 Hollywood beckoned, but her roles were often musical cameos that southern theaters could cut; Horne once said that Stormy Weather and Cabin in the Sky were the only films "in which I played a character who was involved in the plot."
Lena Horne became Hollywood's highest-paid African American actor, and her renditions of "Stormy Weather" and "Just One of Those Things" were considered classics. During this time, Horne also became a vocal spokesperson for civil rights. She also continued to enjoy a successful nightclub and recording career, and triumphed in the 1980s with her one-woman show, Lena Horne: The Lady and Her Music.
Ann Shumard, curator at the National Portrait Gallery, will discuss Lena Horne at a Face-to-Face portrait talk, at 6pm on Thursday, February 11. Her talk is part of a series of Face-to-Face talks celebrating Black History Month.
Lena Horne / Edward Biberman / Oil on canvas, 1947 / National Portrait Gallery, Smithsonian Institution / © 1947 Edward Biberman
James Butler "Wild Bill" Hickok Letter
Wednesday, February 03, 2010 09:00am on A Kansas Memory: The Kansas Historical Society Library and Archives Podcast- 060_james_hickok_letter.mp3 (audio/x-m4a 8.55 MB)
Episode 80 - February 2, 2010
Tuesday, February 02, 2010 03:43pm on Adler Night and DayHighlights: Gamma Rays - Jeff Grube, Ph.D.
- episode_80_020210.mp3 (audio/mpeg 16.48 MB)
Photographs from the Hill Family Collection
Tuesday, February 02, 2010 02:40pm on Museum Collections Up Close : MNHS.ORG- 041_MHS_Hill_Family_Collection3.mp4 (audio/mpeg 31.58 MB)
Have a Horrid Valentine’s Day
Tuesday, February 02, 2010 05:54am on Play Stuff BlogWhat does Valentine’s Day make you think of? Boxes of chocolates? Bouquets of roses? Pledges of undying love? Sure, those are all part of the most romantic holiday on the calendar. On the other hand, from the 1840s into the early twentieth century, Valentine’s Day was also THE occasion to send insulting and downright nasty cards to your circle of acquaintances.
Somehow those proper Victorians took the tradition of sending sweet, heartfelt Valentine cards and turned it on its head. Comic valentines, also known as “penny dreadfuls” or “vinegar valentines,” made up about half the market for Valentine cards. They were amazingly cheap (and looked it) and could be found in variations to suit just about every circumstance. Your looks, your profession, your personal habits—everything was fair game for ridicule. Courtesy of the United States Postal Service, you could anonymously mock, malign, and generally mistreat anyone who’d ticked you off since last Valentine’s Day.
The museum’s collection includes plenty of pretty and sentimental valentines, but it also has its share of comic ones. Hate how someone sings? Here’s a nice rhyme:
When a pig’s getting slaughtered, the noise that it makes
Is sweeter by far than your trills and your shakes;
And the howling of cats in the backyard by night,
Compared with your singing’s a dream of delight.
Seeking vengeance on your butcher? Try:
You’re greasy as the pork you sell,
And tough just like your beef;
Your customers who know you well,
All hope you’ll come to grief.
Think your auto mechanic is substandard?
You’re always working on some car,
Its parts you’re always mixing
Instead of the car, we think your head
Quite badly, needs a fixing.
And don’t forget the opportunity to trash that least-favorite teacher:
Some folks go to college and others go to school
To listen to a teacher act just like a fool.
If knowledge is great riches, then you are poor, indeed,
And words of but one syllable are just about “your speed.”
Whew! I’ve had some less-than-stellar Valentine’s Days in my life, but I’ll count myself lucky that I’ve never been the recipient of comic valentines like these. And if I was ever tempted to send such a nasty note—even anonymously—I’m certain that my butcher would sell me rancid meat or my mechanic would disconnect my brakes! So my helpful Valentine’s Day-shopping hint is to stick to the sweet cards filled with hearts and flowers and leave the nasty ones strictly to the museum’s collection.
J. D. Salinger, 1919-2010
Monday, February 01, 2010 10:35am on National Portrait Gallery | Face to Face blog
Art © Robert Vickrey/Licensed by VAGA, New York, NY
—Holden Caulfield
Jerome David Salinger had one of the great successes of all time with The Catcher in the Rye (1951). He then vanished, publishing only a few collections of short stories and emerging only to sue people who attempted to write about him; his last publication was in 1965. Yet Catcher in the Rye remains a classic. Its teenaged narrator Holden Caulfield’s account of a weekend in Manhattan continues to speak to disaffected adolescents kicking against the “phonies.” It has sold more than 65 million copies worldwide and is still occasionally banned by education administrators who fear its corrupting impact on alienated youth.
Here, in a way that Salinger (and Caulfield) would have appreciated, the artist interprets the book’s title literally and paints the author against an amber wave of grain. The portrait, by Robert Vickery, was created for the September 16, 1961, edition of Time magazine.
J. D. Salinger by Robert Vickrey, 1961, tempera on board; National Portrait Gallery, Smithsonian Institution; gift of Time magazine
Slave Preacher
Monday, February 01, 2010 06:00am on Colonial Williamsburg Podcasts- PamphletPreacher.mP3 (audio/mpeg 3.17 MB)
Love Museums? We do. Love Animals? We do too. Support Zoos & Aquaria.
Monday, February 01, 2010 04:34am on Museums NowDebussy’s Chamber Music
Sunday, January 31, 2010 07:03pm on The ConcertWorks for clarinet, piano and string quartet performed by clarinetist Richard Stoltzman, pianist Peter John Stoltzman, and the Borromeo String Quartet.
-Debussy: Premiere Rhapsodie
-Debussy: String Quartet in G minor, Op. 10
Compared to classical era composers like Haydn and Mozart, Debussy’s chamber music output was rather small: not counting solo piano or vocal works, he wrote only about a dozen chamber music pieces. His string quartet is nonetheless considered among his top compositions, and one of the important impressionist era chamber pieces. The music is classic Debussy in its search for unique colors and sonorities. Before the quartet, we’ll hear one of Debussy’s shorter chamber works. The rhapsodie is the more substantial of two works he composed for clarinet in 1910, written for the conservatory as a tool for evaluating their clarinet students. The previous year, Debussy had apparently been taken with the quality of the woodwind players.
Recorded live in the Tapestry Room of the Isabella Stewart Gardner Museum, Boston.
The Isabella Stewart Gardner Museum is pleased to share this concert under a Creative Commons Music Sharing License. For details see www.gardnermuseum.org.
- theconcert87.mp3 (audio/mpeg 35.99 MB)
Episode Forty: February 2010 (enhanced with images)
Sunday, January 31, 2010 05:06pm on The National Gallery Podcast- 1264696634809Episode_Forty__February_2010__enhanced_with_i.m4a (audio/x-mpeg 9.02 MB)
Museum Podcasts (89)
- Aberdeen Maritime Museum Podcasts
- Access All Areas
- Adler Night and Day
- A Kansas Memory: The Kansas Historical Society Library and Archives Podcast
- American Federation of Arts
- Arizona State Museum Podcasts
- Art a GoGo Podcast
- Art Mobs: MoMA Audio Guides
- Asia Society: The Weekly Fix
- Bishop Museum Planetarium Skycast
- Campus Tales | Podcasts
- Classroom Close-up, NJ
- Colonial Williamsburg Podcasts
- Columbia Museum of Art Podcast
- Cool Things in the Collection, Kansas Museum of History
- CultureCast
- CultureCast: Talk
- Culture in Context: A Tapestry of Expression Podcasts
- Current Science & Technology Podcast
- DiscoverNikkei.org - Podcasts on Hapa Identity
- Eiteljorg Museum of American Indians and Western Art Audio Podcast
- EVOLUTIONS After School Program
- Exhibitions - Philadelphia Museum of Art
- Experienceology
- George Eastman House Podcasts
- Guided By History Podcasts
- Horniman Museum – Podcasts
- http://www.artmuseums.harvard.edu/fogg
- Indianapolis Museum of Art Podcast
- International Museum of Women Podcasts - International Museum of Women
- Jersey Arts: The Podcast
- KCET Podcast: Hammer Conversations
- Los Alamos Historical Society podcasts
- Make Over for the Audubon Birds
- Maryhill Museum Podcasts
- Mayborn Museum FeatherPodcast
- Memorial Art Gallery Director's Audio Tour
- Missouri Botanical Garden Orchid Show 2007
- Modern Outdoor Sculpture at the Getty Center Audio Tour
- MoMA, The Museum of Modern Art, New York
- Monticello Podcasts
- MuseCasting at The Grace Museum
- Museer og digitalisering
- Museo de Arte y Diseño Contemporáneo
- Museum Collections Up Close : MNHS.ORG
- Museum General News Items
- Museum of Fine Arts, St. Petersburg, Florida Podcasts
- Museum of Glass: GlassCast
- Museums Now
- Museum zum Hoeren
- Mystic Country Podcast
- National Gallery of Art-Videos
- National Museum of Australia – Audio on demand program
- National Museum of the U.S. Air Force Lecture Series Podcast
- National Museums Liverpool Podcast
- National Portrait Gallery | Face to Face blog
- NJN Sounds of Science Podcast
- Northwest Museum of Arts and Culture Podcasts: Spokane, Washington
- Penny's Blog
- Play Stuff Blog
- PodTrip: Pez Museum
- Promenade: A Musical Procession through Paintings at Memorial Art Gallery, Rochester, New York
- Prototype Online: Inventive Voices
- RAF Museum Podcast Series
- Rentschler Farm Museum
- Royal Ontario Museum Podcasts
- SAM Audio: Seattle Art Museum Collection
- Science Express - Te Papa Podcasts
- Shiloh Museum of Ozark History
- Smarthistory: The Blog
- Soka University
- Stax Museum of American Soul Music
- Tasmanian Museum and Art Gallery (TMAG)
- TateShots
- The Art Institute of Chicago Musecast
- The Concert
- The Getty's Close Radio Podcast
- The Las Vegas Art Museum News Feed
- The Museum of East Asian Art
- The National Gallery Podcast
- The National Museum of the American Indian Podcasts
- The Sackler Museum Podcast Project
- USGS CoreCast
- V&A Podcasts
- Voices on Genocide Prevention
- Walker Art Center Audio Tour
- WSHS Podcasts







